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The new horror film The Night House is an unfortunate combination of ghost story and mental horror – a kind of movie that leaves viewers wondering what the ending really means. There are many types of horror movies designed to entertain different parts of the biggest horror fan base. However, when it comes to harassment, there are usually two basic types.
The first, often performed by Hollywood studios, relies heavily on jumps to intimidate and keep the audience on their toes. Second, when a horror movie takes over the brain, it creates a vicious circle and tries to intimidate the viewer with horror.
Night House, assisted by Hellraiser reboot director David Bruckner, certainly ties in very well with that second generation. While some breakouts have been recorded here and there — and often work on their own — most of The Night House is designed for instability and disruption. In a way, it’s an old-fashioned ghost story in its infancy, but as more secrets are revealed, things take a sharp left turn into a magical and terrifying reality that takes place after death.

Worthy of a lot of psychological panic, the story of The Night House, and especially its ending, is open to many interpretations. There is a realistic way of looking at things, bringing the story closer to face value, and the figurative interpretation of what is meant to be expressed in plot and characters. However you look at it, the deeply respected Night Room hides many secrets.