Seetimaarr Movie Review: High Dose Oora Mass

Seetimaarr Review: High Dose Oora Mass

Movie: Seetimaarr
Judgement: 2.75/5

Banner: Srinivasaa Silver Screens
Cast: Gopichand, Tamannaah, Bhumika, Pragati, Rahman, Digangana Suryavanshi, Tarun Arora and others
Cinematography: Soundar Rajan
Music: Mani Sharma
Editor: Tammi Rajuc
Producers: Srinivasaa Chitturic
Written and directed: Sampath Nandic
Date of publication: September 10, 2024

Gopichand’s action drama “Seetimaarr” was postponed many times due to the pandemic situation. It can be seen in theaters today at the auspicious Ganesh festival.

Let’s find out its pros and cons.

Story:

Karthi (Gopichand) works in a bank in his village Kadiyam near Rajamundry. His vocation is to coach Kabaddi’s women’s team. His goal is to see his village team represent the state of Andhra Pradesh at the Kabaddi National Championship.

He trains the village girls to become professional players. He and his team land in Delhi for the championship, and as they prepare for D-day, Makkan Singh (Tarun Arora) kidnaps the girls.

How will Karthi get them out of Makkan Singh’s hold before the match starts, and why did Makkan Singh target Karthi?

Performances by artists:

In a role played by the gallery, Gopichand is in his element. He’s fit, fits the role.

Tamannaah plays a quintessential masala heroine and provides a glamor quotient in the song ‘Jwala Reddy’. Rahman as Gopichand’s brother in law is ok.

Tarun Arora appears as the main villain. Digangana Suryavanshi plays Tamannaah’s second violin.

Technical excellence:

Soundar Rajan’s first-class cinematography and rich production values ​​are its main assets.

Mani Sharma comes with mass beats that fit the genre of the film. The editors could have been stricter. Action stunts are over the top.

Highlights:
mass elements
Rich visuals and action scenes
Jwala Reddy song

Disadvantage:
Regular story and screenplay
Formula scenes
Inconsistent flow
Sports moments

Analysis

Expecting novelty in the story and screenplay of a real mass film is like finding water in a desert. These films follow the proven formula. But how come only a few mass entertainers become blockbusters?

Even for a formula masala actioner, there has to be a rhythm or a flow. Only those who fit into this setup will click at the cash register.

Director Sampath Nandi has tried to follow the same method in “Seetimaarr”, his latest offering.

Everything we see in “Seetimaarr” gives the impression that we have seen them before. A hero playing the women’s team coach is not new. The villain targeting the hero’s relative is as old as the Himalayas. This is a typical template for commercial mass hero movies. But Sampath Nandi has tried to package it in a way that appeals to its core audience.

He adds elements like Kabaddi’s play, women’s issues, education and pride of the region to this story that is sure to work with the general public. Plus, there’s a glamor quotient.

While the story has its many problems, it gets certain things right. Instead of bravely rescuing the girls, Gopichand inspires the girls to fight alone. Such scenes have worked. Posani Krishna Murali’s second half episode, the girls’ attempt to run away from the kidnapper, and the final match scene are worth ‘seetimar’.

Episodes like Digangana’s Pelli choopulu, the chatter between Telangana and the Andhra team, and many other formula scenes annoy us. In addition, some twists and turns are predictable. Action episodes go overboard. As in all masala movies, logic goes for a throw.

Despite this imbalance, the film works to some extent for the B and C center audiences. This could bring festival to the theaters in the cities and towns, after a long hibernation of emptiness due to the prolonged pandemic.

All in all, “Seetimaarr” is a sports drama packed with mass elements. It’s an ordinary masala movie with a high dose of oora mass.

Bottom line: masala ‘flute’


Nivesham

Nivesham

Related Topics: http://filmyone.com/seetimaarr-movie-review-high-dose-oora-mass-2/