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GV Movie Review: Saravanan (Vetri, whose efficiency is much better here than his debut film 8 Thotakkal, but still has room for charm), GV’s protagonist is undoubtedly one of the many notable characters we saw in Tamil cinema in previous years. He is someone who has left the faculty because he believes that sensible training is data. He is also curious. He is the size of a man who reads a lot of books and likes to watch an infotainment channel, while his roommate Mani (Karunakaran, Kushal) can watch a performance late at night in which the doctor advises on intercourse. To give. He is someone who is not afraid of excessive morality. When they decide to steal a disabled husband and a visually impaired daughter along with their landlady, Mani asks him if he isn’t nervous that God is watching his actions. He replies, “Name Kasyapadumpodhu Pathuthu Dhana Irundharu? “He is not shy, even if the neighbor makes him a trap for his crime, he contacts him as a friend. It’s no surprise that we see him in a legend, another movie with a protagonist who caused irreversible problems without apologizing. The scene also has a line – Anakku Naan Dhan Nayak – which explains Saravanan’s character and also serves as a meta-second for the film’s lead actor.

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The special thing about GV is that it does not worship or demonize Saravanan. As if to be a hero, the film takes a stoic look at his antics. Both director VJ Gopinath and writer Babu Tamiz are additionally involved in showing the intelligence of this character and the specific location he is in in the second half of the film. They try to clarify the idea – synchronism – by making Mani’s character really feel like a dialogue, without complicating the audience. They also highlight delicate manners – a high-profile police officer, a ceiling fan that could fall at any time – and catch us.
Also technically, the film is as slow as the writing, making it one of the many memorable thrillers of the year.